That’s it. I can’t
avoid it any more. Despite my most
desperate attempts to avoid discussing the topic of Miley Cyrus, I can’t keep
quiet any longer. I have refused to hit
a like button, share a photo, or weigh in on Sinead’s open letter, or any other
open letter, article, or blog denouncing Miley as a slut, whore, and disgrace
to the female population and the feminist movement. But here I go. I have to purge this rant from my system, so
I can move on to more pressing issues.
How I feel about Miley Cyrus is irrelevant. My greatest concern is the seemingly incessant
need of the entire North-American population to discuss the topic of Miley Cyrus. Why the sudden dismay over a slutty dance
routine at the MTV awards? Why the need
to publicly condemn one girl when slut culture abounds all around us?
My theory is this:
Miley Cyrus is the current slut trope that we can all hate, and by doing
so, we feel better about ourselves as we continue to placate our minds with shallow
pop culture analysis, while simultaneously and unquestioningly consuming
corporate culture every minute of every day.
Why are we shocked by the image of Miley grinding against
Robin Thicke; tongue out, ass up? How
different is it from the images of girls grinding against some hulky mass-of-a-man
in a ‘Guess’ advertisement? How dare Miley do what every fucking magazine
article, bus ad, billboard sign, TV commercial, music video, and corporate rep.
is telling her (and millions of other women) to do? If we are truly outraged by
Miley’s actions, we should be outraged by the larger context in which such
actions are accepted and rewarded. If we
are truly offended by the gendered and sexist music industry, we should be
unplugging from the very machine creating it.
An industry exists only when the market supports it. But if we can all agree to hate Miley Cyrus,
we can all agree that the way we contribute to the perpetuation of rape culture
has less or no consequence. By publicly
denouncing Miley Cryus, we can feel better about ourselves as we mindlessly
consume the same corporate culture that creates the context in which Miley has
found her fame and fortune. This is the
same context which we accept and conform to, by the millions, when we accept the
corporate culture of GQ, The Swimsuit Edition. The
same corporate culture that requires Miley to exploit her body in order to sell
her music, requires of millions of women everyday to exploit themselves; whether
in the form of posing in a demeaning and stereotypical gendered clothing ad, flirting for tips as a waitress, or twerking against Robin Thicke during the
MTV awards.
Unless we are willing to address the topic of Miley as merely
a symptom, or as a function of a much larger and much more complex societal
issue, the discussion is moot, invalid, and non-consequential. If there wasn’t a market for what Miley
offers, if there truly was mass outrage at her antics, Miley the brand, would
not exist. Instead, however, what seems to have taken hold of the “Miley
Situation” is just another example of individualizing a larger issue, of slut
shaming and victim blaming. In this way,
we, as a society, are able to ignore the systematic nature of an industry
designed, developed, and carefully crafted to exploit young women who
eventually and inevitably self destruct one way or another, while, at the same
time, remaining ignorant and distracted from the dire global, political, and
environmental issues that should be greatly concerning us all. By attacking Miley as an individual who we
can mock, slut shame, demonize, and generally partake in the enjoyment of her
destruction as a form of entertainment, we are participating in a modern form of Bread and Circuses; a mere distraction from the truly destructive, and
dangerous reality which is unfolding before us, unbeknownst to most, under
the guise of harmless entertainment.